{"id":758,"date":"2021-09-02T23:16:21","date_gmt":"2021-09-02T21:16:21","guid":{"rendered":"https:\/\/francois-bousch.net\/compositeur\/?page_id=758"},"modified":"2021-09-06T17:52:12","modified_gmt":"2021-09-06T15:52:12","slug":"accueil","status":"publish","type":"page","link":"https:\/\/francois-bousch.net\/compositeur\/","title":{"rendered":"Accueil"},"content":{"rendered":"\n
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Compositeur et p\u00e9dagogue, n\u00e9 \u00e0 Paris en 1946, Fran\u00e7ois BOUSCH<\/strong> \u00e9tudie au CNSMD de Paris notamment avec Jean-Pierre GU\u00c9ZEC<\/strong>, Claude BALLIF<\/strong>, Betsy JOLAS<\/strong> et Olivier MESSIAEN<\/strong>.
Pensionnaire \u00e0 l\u2019Acad\u00e9mie de France \u00e0 Rome<\/strong><\/em> (Grand Prix de Rome), Prix Roger DUCASSE<\/strong> et Prix Georges ENESCO<\/strong>, il est \u00e9lev\u00e9 au rang de Chevalier des Arts et des Lettres<\/strong><\/em> par le Ministre de la Culture.<\/p>\n\n\n\n

Sculpter la mati\u00e8re sonore<\/em><\/strong>, la sonder, l\u2019\u00e9couter dans son intimit\u00e9, telle est la d\u00e9marche artistique que propose Fran\u00e7ois BOUSCH<\/em>.
Sa musique<\/em> \u00e9crite et\/ou improvis\u00e9e, utilisant tant les moyens vocaux, instrumentaux qu\u2019\u00e9lectroniques, sugg\u00e8re une po\u00e9sie onirique faite d’ombres, de lueurs et de franges, d’impressions fugaces et mouvantes, de silences et d\u2019\u00e9motions.<\/p>\n\n\n\n

\u00bb lire la suite<\/a><\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n

Cr\u00e9ations r\u00e9centes<\/h2>\n\n\n
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Jeux d’eau (2026)<\/a><\/h3>\n\u00c9l\u00e8ves en premier cycle d'accord\u00e9on, de danse classique et contemporaine\n\nCommande d'Est Ensemble pour le Conservatoire Pina Bausch de Montreuil\n

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A\u0300 l\u2019initiative d\u2019Anthony Millet soliste international et professeur d\u2019accorde\u0301on, le Conservatoire a\u0300 rayonnement de\u0301partemental Pina Bausch de Montreuil dirige\u0301 par Marc Kurzmann m\u2019a sollicite\u0301 pour e\u0301crire une pie\u0300ce pour accorde\u0301onistes de\u0301butants et sons fixe\u0301s d\u2019une vingtaine de minutes en vue d\u2019un spectacle auquel s\u2019adjoignent les professeurs de danse Mmes Barbara Falco, danse contemporaine et Lyane Lamourelle, danse classique.<\/p>\n

Ce projet ambitieux, concerne une trentaine d\u2019e\u0301le\u0300ves, 10 accorde\u0301onistes en premie\u0300re ou deuxie\u0300me anne\u0301e de premier cycle et 20 danseurs en premier cycle.<\/p>\n

Il s\u2019inscrit dans le cadre habituel d\u2019une pe\u0301dagogie de projet, ne\u0301cessite un investissement important des enseignants, des parents d\u2019e\u0301le\u0300ves et des e\u0301le\u0300ves et une e\u0301quipe technique (son et lumie\u0300re). C\u2019est un engagement fort de la Collectivite\u0301.<\/p>\n

En concertation avec les enseignants, nous avons souhaite\u0301 : un the\u0300me ge\u0301ne\u0301ral, nous avons choisi le the\u0300me de l\u2019eau ; une interaction musiciens\/danseurs, les musiciens joueront par c\u0153ur ; une souplesse temporelle ; une partie e\u0301lectronique qui joue le ro\u0302le de chef d\u2019orchestre. L\u2019\u0153uvre s\u2019articule en trois tableaux :<\/p>\n

\u2022 Nuages
\n\u2022 Torrent\/Cascades
\n\u2022 Confluence\/Mer\/Tempe\u0302te<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Des \u00ab signatures \u00bb, courtes se\u0301quences solistes ou partage\u0301es des accorde\u0301onistes, chore\u0301graphie\u0301es par des danseurs, s\u2019intercalent entre ces tableaux.<\/p>\n

Je remercie chaleureusement les professeurs, leurs e\u0301le\u0300ves et leurs parents, l\u2019e\u0301quipe technique et administrative, la direction du Conservatoire, le Centre Henri Pousseur de Lie\u0300ge en Belgique, partenaire pour l\u2019e\u0301lectronique, qui ont contribue\u0301 par leur investissement sans faille a\u0300 la re\u0301ussite de ce projet et de cette magnifique aventure artistique et humaine.<\/p>\n

At the initiative of Anthony Millet, international soloist and accordion professor, the Pina Bausch Regional Conservatory of Montreuil, directed by Marc Kurzmann, commissioned me to write a piece of approximately twenty minutes for beginner accordionists and fixed sounds, for a performance that will also feature dance teachers Barbara Falco (contemporary dance) and Lyane Lamourelle (classical dance).<\/p>\n

This ambitious project involves about thirty students: ten accordionists in their first or second year of undergraduate studies and twenty dancers in their first year.<\/p>\n

It falls within the usual framework of project-based learning and requires significant investment from teachers, parents, and students, as well as a technical team (sound and lighting). It represents a strong commitment from the local community.<\/p>\n

In consultation with the teachers, we wanted: a general theme, which we chose to be water; and interaction between musicians and dancers, with the musicians playing from memory. Temporal flexibility; an electronic component acting as conductor.<\/p>\n

The work is structured in three tableaux: \u2022 Clouds
\n\u2022 Torrent\/Cascades
\n\u2022 Confluence\/Sea\/Storm<\/p>\n

\u201cSignatures,\u201d short solo or shared sequences by the accordionists, choreographed by dancers, are interspersed between these tableaux.<\/p>\n

I warmly thank the teachers, their students and their parents, the technical and administrative team, the management of the Conservatory, and the Henri Pousseur Center in Lie\u0300ge, Belgium, our electronic partner, who contributed their unwavering commitment to the success of this project and this magnificent artistic and human adventure.<\/p>\n

Franc\u0327ois Bousch<\/p>\n<\/div>\n

Vid\u00e9o du spectacle sur demande<\/p>\n<\/div>\n<\/div>\n<\/p>\n23 minutes 30 secondes
\nlire la suite<\/a><\/div>\n\t\t\n\t\t\n\t\t\t

R\u00eave \u00e0 l’infini myst\u00e8re (2026)<\/a><\/h3>\n\n\n\n

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Le rideau s\u2019ouvre, de multiples points lumineux nous attirent irre\u0301sistiblement, quelques e\u0301toiles filantes transpercent le ciel, le re\u0302ve commence ! Et le voyage s\u2019annonce passionnant. Nous savons si peu de ce cosmos qui nous fascine, si peu de son origine si tant est que cela ait du sens, si peu de sa dimension dont nous ne percevons qu\u2019une infime partie. Le myste\u0300re demeure inexorablement, a\u0300 chaque de\u0301couverte, a\u0300 chaque explication possible, il secoue nos certitudes he\u0301rite\u0301es. C\u2019est ce myste\u0300re qui me fascine depuis toujours, cette impossibilite\u0301 de savoir qui m\u2019envou\u0302te et m\u2019enthousiasme, car paradoxalement il donne du sens a\u0300 la vie et a\u0300 la perception que nous en avons !<\/p>\n

Cette pie\u0300ce fait partie du cycle \u00ab Cosmos Odysse\u0301e \u00bb qui regoupe mes \u0153uvres inspire\u0301es de ce myste\u0300re.<\/p>\n

The curtain rises; a multitude of shimmering points of light draw us in irresistibly, a few shooting stars streak across the sky\u2014the dream begins! And the journey promises to be thrilling. We know so little about this cosmos that fascinates us: so little of its origin\u2014if such a concept even makes sense\u2014and so little of its true scale, of which we perceive only a tiny fraction. The mystery remains unyielding; with every discovery and every possible explanation, it shakes the foundations of our inherited certainties. It is this mystery that has always captivated me; this impossibility of knowing both enthralls and excites me, for\u2014paradoxically\u2014it gives meaning to life and to the way we perceive it.<\/p>\n

This piece is part of the \u00ab\u00a0Cosmos Odyssey\u00a0\u00bb cycle, a collection of my works inspired by this mystery.<\/p>\n

Franc\u0327ois Bousch<\/p>\n<\/div>\n

Soundcloud<\/p>\n

https:\/\/soundcloud.com\/bousch-fran-ois\/re-ve-a-linfini-myste-re-f<\/a><\/p>\n<\/div>\n<\/div>\n<\/p>\n8 minutes environ
\nlire la suite<\/a><\/div>\n\t\t<\/div>\n\t\t\n\t\n\t\n\t\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Cr\u00e9ations r\u00e9centes<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-758","page","type-page","status-publish","hentry"],"yoast_head":"\nAccueil - 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